USC Music Program | AdmissionSight The popular music program has the reputation of being even more competitive. Notable alumni include Yo-Yo Ma, Rene Fleming, and Wynton Marsalis. As these numbers show, low acceptance rates are simply part of working with top-rated schools. Horne has performed with the Lyric Opera of Chicago, the San Fransisco Opera, the New York Philharmonic, and many more. After World War II, Thornton became deeply intertwined with the cultural renaissance in Los Angeles and many of its faculty and graduates went on to perform in the newly formed Los Angeles Philharmonic; during this flourishing, the school drew internationally renowned faculty such as Jascha Heifetz, Gregor Piatagorsky and Ingolf Dahl. For undergraduates, the cost of tuition is $51,442 per academic year and, for graduate students, the cost of tuition is $27,728 per year. Look inside its buildings, and you will find top-notch studios and technology. It also performs songs that students have composed and transcribed, and it frequently hosts visiting musicians as special guests. When considering the overall offerings of USC including classical, jazz, and contemporary music perhaps the most similar school would be University of Miami Frost School of Music, which has top programs in these three areas. Founded in 1822 and now a constituent college of the University of London, the Royal Academy has an almost 2 to 1 student to faculty (684 students and 380 faculty) ratio, guaranteeing that students receive close faculty attention and instruction. It is currently regarded as one of the most prestigious music schools in the nation. We'll learn more about the USC music program through the Thornton School of Music and some of the ensembles under its wing. One program in particular that is extremely desirable for admission, the Popular Music program, has an acceptance rate of less than 5%, according to my personal sources. Both competitive and diverse, with an acceptance rate of just under 7% (6.7), Juilliard boasts of very gifted, motivated and high achieving artists, comprising a student body of around 600 from forty different countries. He adds that there are quite a few pretenders and suggests students keep two things in mind when assessing if a school has a true curriculum for contemporary music. Also, if they like you and your playing in your lesson together, your chance for getting in might be higher. Each year, these students perform four different programs together. The Conservatoire de Paris, born in the context of revolution and admittedly innovative, also has tried to preserve tradition in the context of a new integrative approach to musical tradition. For example, teachers can only take on a certain number of students for a given instrument each year.
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